Vybz Kartel challenges Buju Banton to see who can sell more albums.

Vybz Kartel and Buju Banton
Vybz Kartel and Buju Banton

If you thought Beenie Man Verzuz Bounty Killer was the Dancehall event of 2020, you might want to wait a little bit. After Buju Banton announced that he was releasing his album on June 26th, Vybz Kartel decided to release his album on the same day.

So now dancehall fans will be in for another huge treat but this time it will be Buju Banton versus Vybz Kartel in the battle of who can sell the most albums. Of course they will both have to compete with Reggae Gold 2020 which has some of the biggest reggae hits of the year.

Listen Reggae Gold 2020

Buju, the legendary reggae and dancehall artiste who was released from prison a year and a half ago, and Kartel, the controversial World’ Boss, who is “running dancehall music” from inside prison, will officially deliver their projects, Upside Down 2020 and Of Dons and Divas, respectively.

Upside Down 2020 marks Buju Banton’s first album in a decade, with his last being the Grammy Award-winning Before the Dawn, and there is much anticipation for the 20-track set. Kartel, on the other hand, despite being behind bars, has been a music-releasing machine. He describes his newest title, Of Dons and Divas, comprising 16 tracks, as “the best dancehall album in a decade … with more features than a iPhone 20” and has been tagging the line ‘The Grammy album’ to all mention of the set. Kartel’s last album, the 10-track To Tanesha, was released on January 10, and among his other projects have been The Voice of the Jamaican Ghetto – Incarcerated but not Silenced, Kingston Story, Pon Di Gaza, Pon Di Gaza 2.0, Up 2 Di Time, Viking and King of the Dancehall.

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Last Wednesday, Buju unveiled the cover art and track listing for Upside Down 2020, revealing collabs with Pharrell Williams, Stephen Marley, John Legend, and Stefflon Don. The album went on pre-order on Friday. Kartel’s predominantly dancehall album features Sikka Rymes, Lisa Hyper, Teejay, Skillibeng, Daddy1, Slimatic and Kartel’s sons, Likkle Vybz and Likkle Addi. With 11 days to go, and a lot of chatter surrounding the impending releases, music industry analyst Clyde McKenzie says he sees this as a potentially good thing for the music business.

“Some people may say it’s better to have the game for yourself rather than having to divide the attention, but in reality, if they can both get good promotion, that can be a good thing for the genre,” McKenzie told 18 Karat Reggae.

He pointed out that there will always be some kind of competition in this arena and whereas there might be elements of both albums that overlap, different audience segments are being targeted. “Upside Down 2020 and Of Dons and Divas are not necessarily catering to the same audience. And depending on how the media spins it, the story could become both, rather than one or the other, and so it becomes beneficial to the entire industry,” he reiterated.

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McKenzie noted that there could be a little challenge with radio stations overseas which have a quota of reggae and dancehall, “but that is not widespread”. With regard to charts, such as the Billboard Reggae Album and other international charts, he was all for coexistence. “While sometimes it may be a case of one album or song replacing the other, they could coexist and work symbiotically. I might top you this week, but that doesn’t mean that you can’t top me next week,” he said.

In an interview with Onstage in March of this year, Buju Banton spoke about Kartel’s dominance of the local music scene and questioned why the music has not grown on the international stage. “Can we honestly say that our music has grown? Can we honestly ask that and say yes? Because me personally feel say it nuh grow. Me come out ah wuk house and a Kartel me see run the place, same way. Me hear other people, don’t think me nuh hear and a listen, but me know music when me hear music. His lyrical content, that’s not my subject. His relevancy, that’s my argument. That aside, has he moved?” Buju said in the interview.

He added, “Me nah seh man nah do dem thing. But the music should have been out there more.”

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